Rendered in our 3D Gemstone Simulator from the Old Single Cut model, 1.00 ct, studio light.
Old Single Cut Sapphire
Sapphire bends light far less than diamond: its critical angle is about 34.6°, against 24.4° for diamond. Light inside the stone must meet a facet more steeply to reflect, and the Old Single's few large facets rarely give it that chance.
The result is the weakest pairing on these pages. We publish it because people search for it, and because the numbers explain why.
Is sapphire good in an Old Single cut? Pros and cons
Compared with the T73 Round Brilliant in sapphire and with the Old Single Cut in diamond.
A difference counts from 3 points (Brilliance, Fire, Tilt, Leakage), 5 (Scintillation,
Symmetry), 2 (Spread) or 5% (weight); Tilt counts as a pro only for a stone within
5 points of the brilliance it is compared with. How we measure.
All eight scores against the T73
At a glance: the Old Single Cut in sapphire (white) against the T73 Round Brilliant in sapphire (dashed): solid white where
it reaches further, hatched where it falls short. Each pro and con is explained, with pictures, below.
Against the T73 Round Brilliant in sapphire: ahead on 1, level on 1, behind on 6.
Global49, the comparison 79, difference −30
Brilliance36, the comparison 94, difference −58
Fire9, the comparison 37, difference −28
Scintillation44, the comparison 80, difference −36
Spread97, the comparison 100, difference −3
Symmetry100, the comparison 100, difference 0
Shape-norm39, the comparison 102, difference −63
Tilt100, the comparison 75, difference +25
Face-up light census, a different measure from the Cut Grading Tool; Spread and Shape-norm above 100 sit on the ring.
We found no score where an Old Single in sapphire beats either baseline. Its Tilt reads 100, the top of the scale, but that is the share of very little light kept when tilted: its brilliance is 36. The case for it is colour and the antique outline, which we do not measure.
Why the Old Single struggles in sapphire
Almost no fire
Fire 9 against 84 for the Old Single Cut in diamond: 75 points lower
Sapphire's dispersion is 0.018, under half of diamond's. With so little light returning, the Old Single's fire falls to 9, against 84 for the same cut in diamond.
Old Single Cut in sapphire · Fire 9
Old Single Cut in diamond · Fire 84
Look at the coloured flashes: those are fire. Same light, same size, same face-up angle; rendered by our 3D Gemstone Simulator from each cut's own model.
What helps: Little helps in sapphire: the best of our cuts for fire in sapphire, the Oval Cut, reaches 74.
Brilliance 36 against 94 for the T73 Round Brilliant in sapphire: 58 points lower
The face-up map is mostly grey: light leaving through the pavilion.
Old Single Cut in sapphire · Brilliance 36
T73 Round Brilliant in sapphire · Brilliance 94
Red, green and blue = light returning to the eye; grey = light leaving through the pavilion. This is the head-on view; the Brilliance score averages a wider cone of light, so the score can differ from what one picture shows.
Leakage 54 against 5 for the T73 Round Brilliant in sapphire: 49 points higher
Half of it, 54%, is lost through the pavilion in our census; the T73 loses 5% in sapphire. The strip stays largely grey at every angle.
Old Single Cut in sapphire · Leakage 54
0° · 69% leak
10° · 48% leak
20° · 48% leak
30° · 53% leak
T73 Round Brilliant in sapphire · Leakage 5
0° · 1% leak
10° · 10% leak
20° · 29% leak
30° · 30% leak
Each frame is the Light Return map with the stone tilted away from you by the angle shown; grey is light leaving through the pavilion. The share under each frame is that picture's own.
What helps: A steeper pavilion is not the answer here: the mains already sit at 48.48°, well above sapphire's guide minimum of 36.4°. A different cut is: DG-Anteros leaks 3% in sapphire.
Scintillation follows the number of facets: more facets, more and smaller flashes as the stone moves. Count the facets in each crown. Drawn from each cut's own model.
We would not choose an Old Single for a sapphire meant to be bright. It may suit a small, deep-coloured accent where the outline matters more than light.