Historic diamond cuts: the history of the brilliant · 3 min read

Old European cut diamonds: when the outline went round

The old European cut, the standard round from the 1870s to about 1930, keeps the old mine's 58 facets on a round outline made by the bruting machine. On our Wheel that lifts brilliance from 59 to 90 and cuts leakage from 32% to 5%.

The old mine and the old European turning side by side at the same carat weight and true size, the old European brighter in the center. · 10 s · No sound

Transcript

This 10-second clip has no sound. What you see:

The old mine and the old European turning side by side at the same carat weight and true size, the old European brighter in the center.

Two hundred years of cushions

Since the Mazarin, every brilliant had been a cushion. Not by choice. To round a diamond, you grind its outline against another diamond. This is called bruting, and by hand nobody could do it accurately. Careful handwork had already made the old mine cut rounder and neater, and it got darker.

In the 1870s, a machine finished the job.

The technology: the bruting machine

Two things arrived together in the second half of the 1800s.

A machine. In Boston, the jeweler Henry Morse opened a diamond-cutting workshop around 1860. His foreman, Charles Field, built a mechanical bruting machine to replace rounding by hand. The two also brought dimensional gauges into the trade, so a cutter could measure a stone and not judge it by eye. Tolkowsky thought mechanical bruting more likely started in Amsterdam or Antwerp, where nearly all diamonds were cut. Either way, by the 1870s a cutter could make a diamond truly round.

More rough. In 1866 the first diamond was found in South Africa. Within a few years the Kimberley mines produced diamonds on a scale the world had never seen. With plenty of rough, cutters could afford to give up weight for beauty. Morse is remembered for exactly that bet: a smaller stone that looks better sells better.

Why round matters

On a cushion, the facets at the corners and those along the sides can't sit at the same angle, as the Peruzzi shows. On a circle, they can. The cutter can give every pavilion main one angle. Once that angle is right everywhere, the stone no longer needs to be thick. Tolkowsky describes it this way: as the corners shrank in, the stones could be cut less thick, with more fire and life.

That's the old European cut:

It became the standard round and stayed on the market until about 1930. Most antique round diamonds you'll find are old Europeans.

Try it yourself

  1. Open Cut Performance Wheel with ?cut=old-european&stone=diamond. Set the comparison cut to the old mine. Read brilliance, fire and scintillation.
  2. Set the comparison cut to the T73, our modern benchmark. Read the Global row too.
  3. Open 3D Gemstone Simulator with ?cut=old-european&stone=diamond, lighting Sunny day. Then change to the old mine. Where did the dark areas go?

What the Wheel shows

The biggest jump on our scoreboard. Brilliance goes from 59 to 90: 31 points, with the same facets. Leakage drops from 32% to 5%. Against the Peruzzi, the 58-facet cut it comes from, leakage falls from 19% to 5%.

Fire and sparkle hold. Fire rises a little, 72 → 74. Scintillation stays at 81: same facets, same count.

Close to modern. Against the T73, the old European is 90 / 74 / 81 against 93 / 78 / 80. On the Wheel's Global score, it's 88 against 90: within two points of the modern benchmark.

What about "more fire than a modern round"? You'll often read that old Europeans have more fire than modern brilliants. Our model doesn't show it: 74 against the T73's 78. The small table does make large, slow flashes, and people may mean those. But measured as a share of returned light, the modern round comes out ahead. Try it in the simulator under Club lighting and judge for yourself.

The main point. No new facets. No new plan. A machine made the outline round, and with it came a single, correct pavilion angle all the way around. Technology, not decoration, closed the gap.

Key points

Go further: the old European cut page has the diagram, the 3D model and the cutting file for antique-style work.

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Cuts in this lesson

We sell the files of these cuts: 3D models and cutting files, with a personal-use license.

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