Diamond anatomy and proportions · 4 min read

Star length and lower half length in a round brilliant

Lower half length is how far the lower half facets reach from the girdle toward the culet, as a percentage of that distance. GIA's Excellent range is 70 to 85% (star length: 45 to 65%), and longer lower halves give thinner hearts, further apart.

The T73 in the Hearts & Arrows Scope, arrows face up, turned over to the hearts. · 10 s · No sound

Transcript

This 10-second clip has no sound. What you see:

The T73 in the Hearts & Arrows Scope, arrows face up, turned over to the hearts.

Sixteen small facets, one carat

Picture a rough diamond that's going to come out at 0.99 ct. A hundredth short of the one-carat line, and a real step down in price.

A cutter has a quiet trick. Tilt the small facets along the girdle (the upper halves, the lower halves or both) a little toward the big facets beside them. That leaves a touch more diamond at the girdle, and sometimes it's enough to cross the line. GIA's cut booklet calls it painting, and its opposite digging out. It notes that cutters can use both to save weight, for example to reach a round number like half a carat, one carat or two.

The price is the look. In our Cut Grading Tool, significant painting or digging takes a T73 down to Good, even when it's Excellent in every other way. Let's meet those small facets properly.

The T73 with significant painting and digging, graded Good.
The T73 with significant painting and digging, graded Good.

Two lengths

The crown angle and the pavilion angle belong to the big facets: bezels and mains. Two lengths set the small facets around them:

The T73 has stars at 50% and lower halves at 77%. (The tool's slider moves in 5% steps, so it shows 75%.)

For an Excellent grade, GIA's limits are 45 to 65% for star length and 70 to 85% for lower half length. For Very Good, they are 40 to 70% and 65 to 90%. Past the Very Good ranges, GIA's tables allow any value at Good. So on their own, these two lengths can never take a stone below Good. Their job is the pattern: how the bright and dark slivers are arranged face up. (The tool's sliders stop at the Very Good limits. So in the tool, the worst you'll see is Very Good.)

The lower halves draw the hearts

In a Hearts & Arrows viewer, a well-made round shows eight arrows face up and eight hearts face down. The shaft of each arrow is a pavilion main reflected in the main opposite it, and the crown adds the arrowhead. You see each heart through the pavilion. It is made of six facet reflections: four from the pavilion mains make its body, and two half facets square off its top.

The lower halves decide their shape. Our Hearts & Arrows research notes say this:

In the decades after 1919, cutters made the lower halves longer and the mains narrower. That change is what lets a modern round show hearts and arrows at all.

Try it yourself

  1. Open Cut Grading Tool. Open More proportions.
  2. Move Star length from 40% to 70% and watch the Crown plan. How do the stars and bezels change? Note where the grade changes.
  3. Do the same with Lower half length, 65% to 90%.
  4. Put both back. Set Painting and digging to Moderate, then Significant, then Severe.
  5. Open Hearts & Arrows Scope with the T73 Round Brilliant in diamond. Then switch the cut to the T105 Round Brilliant, which splits each lower half into three rows. Compare the hearts.

What the Cut Grading Tool and the H&A Scope show

The lengths. Short stars (40%) leave big bezels and grade Very Good. From 45% to 65% the stone stays Excellent. At 70% it's Very Good again. Lower halves behave the same way: Very Good at 65% and 90%, Excellent between them. In the tool, these two lengths change the drawing and the grade. They do not change the light map or the brilliance, because the tool traces those on the T73's own star and lower half.

Painting and digging. Moderate gives Very Good, Significant gives Good, Severe gives Fair. GIA's observations explain why. Given the choice, most viewers liked stones with only the slightest painting or digging, or none. Heavy painting on the pavilion breaks the pattern into broad dark zones. In the end, the round starts to look like the old single cut with its few facets. Heavy digging out can drain the contrast and leave a grayish stone. Cutters also dig out to grind away an inclusion near the girdle.

The hearts. The T73 and the T105 have the same main angles, but their hearts look different. The T105's extra rows of small pavilion facets redraw them. Both read 100% symmetry. Symmetry tells you that the eight hearts match each other. The small facets decide what each heart looks like. The T73's own lower halves, at 77%, sit between the "fat" and "thin" heart lengths.

The hearts of the T73 and the T105 in the Hearts & Arrows Scope. The two cuts have the same main angles, but the T105's extra rows of small pavilion facets redraw the hearts.The hearts of the T73 and the T105 in the Hearts & Arrows Scope. The two cuts have the same main angles, but the T105's extra rows of small pavilion facets redraw the hearts.
The hearts of the T73 and the T105 in the Hearts & Arrows Scope. The two cuts have the same main angles, but the T105's extra rows of small pavilion facets redraw the hearts.

Key points

Go further: the T105 cut page shows its extra star halves and three rows of lower halves.

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