Emerald Cut Topaz: faces up larger for its weight

Brilliance 63 · Fire 33 · Scintillation 72 · in our census, where the T73 scores 86 · 35 · 80 in topaz

How the Emerald Cut handles light in topaz, measured: brilliance 63, fire 33 and 29% leakage, set against the T73 in the same stone and against the same cut in diamond.

The Emerald Cut in topaz, face-up Light Return map from our tracer at refractive index 1.606: red, green and blue show where the light returns from, gray shows where it leaks
Light Return map of the Emerald Cut in topaz, face-up, from our own tracer at refractive index 1.606. Red, green and blue return light to the eye; gray leaks.

Emerald Cut Topaz

Topaz has a refractive index of 1.606 to 1.644 and a dispersion of 0.014. Its critical angle, from the low end of that range, is 38.5°, so a round design needs a pavilion of at least 38.5° for head-on light to reflect off both sides of the pavilion and leave through the table. We trace it with one index, 1.625, the midpoint of the published range, and a fire spread of 0.012, 0.86 of the published dispersion. Every picture here is our Light Return tracer at 1.606, and every figure is from the same light census that scores the other gemstones; the 3D Gemstone Simulator shows the Emerald Cut in topaz live.

The Emerald Cut has 57 facets and a total depth of 68.6% of its width; its pavilion mains sit at 41.0°. In topaz, the census returns 63 of 100 for brilliance and 33 for fire, against 86 and 35 for the T73, our benchmark, in the same stone; the same Emerald Cut in diamond reads 55 and 87.

Is topaz good in an Emerald? Pros and cons, measured

Compared with the T73 Round Brilliant in topaz and with the Emerald Cut in diamond. A difference counts from 3 points (Brilliance, Fire, Tilt, Leakage), 5 (Scintillation, Symmetry), 4% (face-up size per carat) or 5% (weight); Tilt counts as a pro only for a stone within 5 points of the brilliance it is compared with. How we measure.

All eight scores against the T73

At a glance: the Emerald Cut in topaz (white) against the T73 Round Brilliant in topaz (dashed): solid white where it reaches further, hatched where it falls short. Each pro and con is explained, with pictures, below.

Performance wheel: Emerald Cut in topaz, against the T73 Round Brilliant in topaz as an outline. Solid white marks where it reaches further, hatching where it falls short. The scores are listed below.50100Global−19Brilliance−23Fire−2Scintillation−8Spread−4Symmetry−36Shape-norm−10Tilt−25

Against the T73 Round Brilliant in topaz: behind on 8.

  • Global56, the comparison 75, difference −19
  • Brilliance63, the comparison 86, difference −23
  • Fire33, the comparison 35, difference −2
  • Scintillation72, the comparison 80, difference −8
  • Spread96, the comparison 100, difference −4
  • Symmetry64, the comparison 100, difference −36
  • Shape-norm82, the comparison 92, difference −10
  • Tilt49, the comparison 74, difference −25
Face-up light census, a different measure from the Cut Grading Tool; Spread and Shape-norm above 100 sit on the ring. Spread is the census's estimate from depth alone; the face-up size in the pros and cons is measured from each model's outline. Open it in the Cut Performance Wheel; these are the same census figures as our Cut Performance Index.

What the Emerald Cut gains in topaz

Faces up larger for its weight

Face-up size 105 against 100 for the T73 Round Brilliant in topaz (T73 = 100): 5% more face-up area for the same weight

Face-up size is the outline's area per carat, measured from each model (T73 = 100): 105 for the Emerald Cut against 100 for the T73. The same volume spread over a longer or shallower outline shows more face for the weight; it is the same in every stone, because specific gravity scales every cut alike.

Emerald Cut · 7.35 x 4.90 mm at 1.00 ct · Face-up size 105

T73 Round Brilliant · 6.47 mm at 1.00 ct · Face-up size 100

Both stones weigh 1.00 ct in topaz and are drawn to the same scale in millimeters, from each cut's own model. Face-up size is the outline's area per carat, with the T73 at 100: a deeper stone, or a rounder outline, spreads less area for its weight.

Try it yourself: See its size at 1.00 ct in topaz in the 3D Gemstone Simulator

What the Emerald Cut gives up in topaz

Less fire in topaz than in diamond

Fire 33 against 87 for the Emerald Cut in diamond: 54 points lower

Fire is the share of the returned light that splits into color at the exit facet: the census traces each exit again at the refractive index minus and plus the fire spread (0.012 in topaz) and counts a ray as fire when the two directions differ by more than 0.6°. The Emerald Cut reads 33 against 87 for the same cut in diamond. The figure is the census's; the 3D Gemstone Simulator renders topaz's fire live.

The fire figure is the census's, traced at the refractive index minus and plus the fire spread. See the fire in the 3D Gemstone Simulator: the Emerald Cut in topaz under the sunny-day lighting.

What helps: the Oval Cut reads 68 for fire in topaz, the best of the cuts we score there.

Try it yourself: See the fire in the 3D Gemstone Simulator

A less regular pavilion than the T73

Symmetry 64 against 100 for the T73 Round Brilliant in topaz: 36 points lower

Symmetry reads how evenly the pavilion facets of each design family are cut: 100 − 6 × their scatter in degrees. The Emerald Cut reads 64, the T73 100. It depends on the geometry alone, so it is the same in every stone.

Emerald Cut · 57 facets · Symmetry 64

T73 Round Brilliant · 73 facets · Symmetry 100

Symmetry scores how regular the pavilion facets are within the design. Compare how evenly the facets repeat around each pavilion. Drawn from each cut's own model.

Try it yourself: Compare the Symmetry spoke in the Cut Performance Wheel

Loses more light when tilted than in diamond

Tilt 49 against 83 for the Emerald Cut in diamond: 34 points lower

Tilt is how much of its face-up brilliance a stone keeps when the census tilts it 20° about its long axis, with 2,200 rays. The Emerald Cut keeps 49 against 83 for the same cut in diamond. The tilt strips below show the maps at 0°, 10°, 20° and 30°, with each picture's own leak share under it.

Emerald Cut in topaz · Tilt 49

Emerald cut in topaz tilted 0 degrees: Light Return map, 25% of the face leaking0° · 25% leak
Emerald cut in topaz tilted 10 degrees: Light Return map, 47% of the face leaking10° · 47% leak
Emerald cut in topaz tilted 20 degrees: Light Return map, 57% of the face leaking20° · 57% leak
Emerald cut in topaz tilted 30 degrees: Light Return map, 62% of the face leaking30° · 62% leak

Emerald Cut in diamond · Tilt 83

Emerald cut in diamond tilted 0 degrees: Light Return map, 31% of the face leaking0° · 31% leak
Emerald cut in diamond tilted 10 degrees: Light Return map, 31% of the face leaking10° · 31% leak
Emerald cut in diamond tilted 20 degrees: Light Return map, 38% of the face leaking20° · 38% leak
Emerald cut in diamond tilted 30 degrees: Light Return map, 44% of the face leaking30° · 44% leak
Tilt is how much of its own face-up light a stone keeps when tilted. Each frame is the Light Return map with the stone tilted away from you by the angle shown; gray is leakage. The share under each frame is that picture's own.

What helps: the T105 Round Brilliant reads 78 for tilt in topaz, the best of the cuts we score there.

Try it yourself: Compare the Tilt spoke in the Cut Performance Wheel

Returns less light than the T73 in topaz

Brilliance 63 against 86 for the T73 Round Brilliant in topaz: 23 points lower

Brilliance is the share of the 3,200 census rays that enter the stone and come back out of the crown towards the viewer. In topaz, whose critical angle is 38.5°, the Emerald Cut returns 63 of 100 and the T73 86. The Emerald Cut's pavilion mains sit at 41.0°, the T73's at 40.8°. The maps below show where each stone's light returns from and where it leaks.

Emerald cut in topaz face-up Light Return map: red, green and blue show where the light returns from, gray shows where it leaks (Brilliance 63)

Emerald Cut in topaz · Brilliance 63

T73 round brilliant in topaz face-up Light Return map: red, green and blue show where the light returns from, gray shows where it leaks (Brilliance 86)

T73 Round Brilliant in topaz · Brilliance 86

Red, green and blue = light returning to the eye; gray = leakage, light that leaves heading down or stays inside. This is the head-on view; the Brilliance score averages a wider cone of light, so the score can differ from what one picture shows.

What helps: the DG-M5 reads 96 for brilliance in topaz, the best of the cuts we score there.

Try it yourself: Open this Light Return map in the simulator

Our verdict on the Emerald Cut in topaz

Pick the Emerald Cut in topaz for this: it faces up larger for its weight. The catch: it shows less fire than in diamond, has a less regular pavilion than the T73, loses more light when tilted than in diamond and returns less light than the T73.

If that catch matters more to you, the Oval Cut reads 68 for fire in topaz, the best of the cuts we score there.

Every figure on this page is from our light census, traced at one refractive index: a simulation of the geometry, not a grading report. The 3D files and cutting files below are the same Emerald Cut model we traced.

Emerald Cut Topaz: questions

Is the Emerald a good cut for topaz?

In our census the Emerald Cut returns 63 of 100 for brilliance and 33 for fire in topaz, against 86 and 35 for the T73 in the same stone. Against that round and against the same cut in diamond it has 1 pro and 4 cons by our thresholds; the summary above names them.

What pavilion angle does topaz need?

At least 38.5° for a round design: topaz's critical angle is 38.5°, from the low end of its refractive index range, and head-on light has to reflect off both sides of the pavilion and leave through the table. The Emerald Cut's pavilion mains sit at 41.0°.

How much does a Emerald weigh in topaz?

At 6.5 mm across, 2.32 ct in topaz, against 2.31 ct for the same cut in diamond, the same weight to the per cent: topaz's specific gravity is 3.535, diamond's 3.52.

Can I see the Emerald in topaz in 3D?

Yes: the 3D Gemstone Simulator renders it live, with topaz's own refractive index and dispersion. Topaz is traced by the same light census as the other gemstones, with its refractive index and fire spread derived from published values, so its scores are on the same scale; the pictures here are our Light Return tracer, and the Cut Performance Wheel sets it against any other cut and stone.

Get the Emerald Cut files

6 formatsMillimetersWatertight

Emerald Cut 3D files

The Emerald Cut as exact geometry: 57 planar facets, real-world scale, ready for CAD, rendering, printing and casting.

  • STEPExact faceted solid for CAD
  • 3DMRhino, closed mesh on its own layer
  • STLWatertight mesh for printing and casting
  • OBJMesh for modeling and rendering
  • FBXBlender, 3ds Max, Maya, Cinema 4D, Unity, Unreal
  • GLBWeb, AR and quick previews
GemCad64 index

Emerald Cut cutting files

The Emerald Cut as a faceting design: 49 + 8 girdles = 57 facets, 64 index, 2-fold mirror-image symmetry, ready for the machine.

  • .ascGemCad design file, 64 index gear
  • .csvTier table: angles, indices and cutting order
  • DiagramPrintable faceting diagram

Save with a bundle: the Emerald Cut 3D files are also in Jewelry Essentials 3D, 10 cuts for €29.99 until 1 December, then €39.99 (€99.90 as single files). Buy the bundle.

Save with a bundle: the Emerald Cut cutting files are also in Faceter's Classics, 10 cuts for €22.49 until 1 December, then €29.99 (€69.90 as single files). Buy the bundle.

Not sure the files open in your software? Get the cube free: the same six formats, for your email address, used only to send them (privacy).

Questions before you buy? Email us.

More gemstones and cuts

Topaz: optical properties and the top ten cuts · The Emerald Cut: specifications, model and files

Other cuts in topaz

The Emerald Cut in other gemstones